Crochet lace: ribbon, Irish, Romanian, Bruges and coupling - schemes for beginners. Fillet knitting Fillet braid crochet patterns

Our today's lesson is devoted to a rather simple and popular technique - such crochet sirloin patterns will be on hand for absolutely all craftswomen: both beginners and professionals. Simple, but at the same time unusual and uncomplicated products will decorate the house and the appearance of their owner.

Large tablecloth on the dining table in the technique of "fillet knitting"

We will need:

• yarn "Iris" (100% cotton), 550 grams beige;
• hook number 1.5.

Scheme

Diameter: 120 cm.

Description

We crochet a chain of 8 in. etc., we close it in a circle with the help of ss ..
1 p.: 4 c. n. lift, 4 unfinished with. from 2 n., connected together with the 4th c. n. lifter, into the resulting ring, 6 c. p., * 5 unfinished p. from 2 n., tied together, in a ringlet, 6 c. *, from * to * x 4, total x 6, ss ..
2 p.: 5 c. p., 1 p. from n. in the 1st c. n. lift, 7 s. from n. in an arch from the 6th c. p. of the previous river, * 2 s. from n. in the next s. from 2 n. previous r .. between s. from n. arch from the 2nd c. p., 7 p. from n. into the next arch from the 6th c. p. of the previous river *, from * to * x 4, all x 6, ss ..
3 p.: 4 c. p., 4 p. from 2 n. in an arch from the 2nd c. n. prev. r.. 2 c. p., 1 p. from 2 n. in the 4th s. from n. previous river, 3rd c. p., 1 p. from n. in the 2nd s. from n. previous river, 2nd c. p., * 5 s. from 2 n. into the next arch from 2 c. n. of the previous river, 2 c. p., 1 p. from 2 n. in the 4th s. from n. ave. r. 3 c. p., 1 p. from 2 n. in the 2nd s. from n. pr., 2nd century *, from * to * x 4, total x 6, ss ..
We continue further according to the previously provided scheme along the 35th p., each p. finished ss..

Large festoon (x 6)

We attach a new thread, then straight and reverse pp. according to the scheme of a large festoon from 1 to 7 pp., cut off the thread.

Small festoon (x 6)

We attach a new thread, direct and reverse pp. according to cx. large festoon from 1 to 6 rr..
strapping
We attach a new thread, we knit in a circle of picot according to cx., having finished. ss..

Knitting loin mesh: video master class for beginners

Toy-angel in the technique of "fillet knitting"

We will need:

• yarn "Iris" (100% cotton), about 15 grams;
• satin ribbon;
• form;
• synthetic winterizer;
• hook number 0.9.

Scheme

Height: 11 cm.

Description

Head

We crochet a chain of 5 in. p., in a circle with the help of ss ..
1 p.: 1 c. p., 7 p. without n. in the ring, ss..
2 p.: 1 c. p., 11 p. without n. in with. without n. pr. r., ss ..
3 p.: 1 c. p., 15 p. without n. in with. without n. pr., only 16 s. without n., ss..

torso

Emb. 8th c. p., in a circle with the help of ss ..
1 p.: 1 c. p., 8 p. without n. in the ring, ss..
2 p.: 3 c. p., 1 p. from n. in the 1st c. n. lift ave. R., 2 s. from n. in sl. With. from n. pr. r., only 18 s. s n., ss .. We continue according to cx. on the 6th r..

skirt

Chain of 8 in p., in a circle ss..
We attach a new thread and continue to work on cx. skirts skipping in the first p. “wings” (sh. of the body), connecting the front and back of the bodice with the help of sl-st, continue along the 9th p., cut off the thread.

Assembly

By the 9th p. from the inside we sew a satin ribbon, and to the top of the head - a loop of several c. n. The angel should be starched and put on the uniform.

Decorative handbag for the baby in the technique of "fillet knitting"

We will need:

• yarn "Iris" (100% cotton), 30 grams;
• form;
• hook number 0.9.

Scheme

Size: 11 x 15 cm.

Description

bottom

We crochet a chain from 67 c. P..
1 p.: 1 s. from n. in the 7th p., * 1 c. p., 1 p. from n. in the 2nd c. n. chain *, from * to * x 29, total x 31 cells, ending. R. With. with n..
2 p.: 4 c. p., * 1 s. from n. in the 1st s. from n. ave. r., 1 c. *, from * to * x 29, total x 31, ending. With. with n..
We knit straight and reverse rr. in the technique of "fillet knitting" according to cx. up to 13 p. inclusive.
14 p.: knit. in a circle with from n., 3 c. p., 187 p. from n. in with. from n. and in. p. pr. r., ending. R. ss..
15 p.: all s. from n. divide into 4 parts (63 s. s. n. to the front and back parts, and 31 s. s. n. to the side).
From 16 to 36 p. knit. in a circle according to cx. bags and side pieces, each r. ss ends..

Assembly

The product should be well starched, put on the form and left in this form until completely dry.

Cap-take: video master class

Crochet napkin for beginners: technique "color fillet knitting"

We will need:

• yarn Vita cotton "Pelican" (100% cotton), 25 grams white;
• yarn Vita Cotton "Iris print" (100% cotton), 13 grams of red melange and green melange;
• hook number 1.25.

Scheme

Size: 45 x 34 cm.

Description

With a white thread we will collect a chain of 64 c. P..
1 p.: 1 s. from n. in the 7th c. p., * 2 c. p., 1 p. from n. in the 3rd c. p. *, from * to * x 18, 2 c. p., 1 p. from 2 n. at the base of the previous s. with n..
In total - 21 fil. cell.

We continue to work with direct and reverse pp. according to cx. up to 77 rubles inclusive, we do not cut the thread.
In the 10th r. we attach a thread in red tones, and in 15 - in green, we change the colors of the threads according to cx. drawing. Cut off colored threads.

strapping

Knit. in a circle with from n. white thread, finish p. ss.. The finished product should be starched and left to dry in a horizontal position.

Easy DIY summer cardigan for beginners

We will need:

• yarn (55% cotton, 25% polyamide, 20% silk), 600-700 grams black;
• hook number 3.

Scheme

Sizes: 36-38.

Openwork Pattern: A combination of mesh and dense areas in a checkerboard pattern.

Description

We collect the number of stitches we need, a multiple of 12 + 1 edge.
1 p.: 4 c. p., 1 p. from n. in the 6th c. p., 1 c. p., s. from n., 1 c. p., 7 p. from n., 1 c. p., s. from n. etc., that is, we alternate 3 empty cells with filled ones). We finish 7 s. with n..
2 p.: 3 c. p., 5 s. with n., 3 empty cells (s. with n. we knit not in s. with n. pr., but under v. p., i.e. the grid is shifted), 7 s. from n. etc. We end the row with 3 empty cells + p. from n. in the last point of the rise, pr.
3 p.: 3 c. p., 2 p. with n., further according to the figure. Zach. R. 4 s. with n..
4 p.: 3 c. lifting point, 1 c. p., s. from n., 1 c. p., 7 p. with n., 3 empty cells, etc.. Zach. R. 1 empty cell.
5 p.: 3 c. p., 7 p. with n., 3 empty cells. Zach. R. 2 empty cells + 1 s. from n. in the last n. rise pr. r..
6 p.: 3 empty cells, 7 s. from n. etc. Zach. R. 7 s. with n..
We repeat these 6 p. until the desired length is reached.

Spacious tunic for summer

We will need:

• yarn (100% polyamide), about 800 grams;
• hook number 2.5.

Schemes and symbols

Size: 40-42.

Border 51 sts wide: knit according to cx. between arrows A and B; once we perform from 1 to 5 rr., then we repeat 2-5 rr..

Openwork pattern: knit according to the scheme; we start with the loops from the arrow A, repeat the rapport item, finish the item to the arrow B. Repeat p. - see border.

Right extreme motif: according to cx. between arrows A and C, repeat p. - see border.

Left extreme motif: according to cx. between D and B. Repeat p. - see border.

Floral motif: fillet knitting according to the pattern. For 1 filled cell, we make 3 s. s n., for 1 empty - 1 s. from n. and 2 c. n .. Each r. we start with the one indicated in cx. the number of p. lifting instead of the 1st s. with n., we finish 1 s. with n..

Description

plank

We make a chain of 51 c. n. + 3 c. lifting, we make a border. After 58 cm, we finish the work.

Before

We need to tie 168 p. on the right side of the half of the border: 10 p. of the right extreme motive, 148 p. We look at the reductions for the neckline according to the diagram. After 50.5 cm, we finish the work.

Back

On the right side of the remaining half of the border. We carry out 147 p. Openwork at .. After 50.5 cm, we complete the work.

Sleeves

Knit. border along a chain of 51 c. n. + 3 c. lifting item. After 52 cm, we finish.

Assembly

We carry out shoulder seams. We sew the sleeves, combining the middle of the sleeve with the shoulder seam, we sew the side seams and the seams of the sleeves. Then we need to knit the neckline:
1 p.: * 1 s. from n. over 1 s. from n. fillet. grids, 2 in. n., skip 1 cell, from * to *.
2 p.: *1 s. without n. behind the arch from p., 5 s. from n. for the next arch from v. p., from * to *.
In the same way we tie the lower edge of the tunic and sleeves.

Summer tunic dress in Givenchy style for beginners

We will need:

• yarn "Micro" (100% acrylic), 400 (450/500) grams;
• cr. No. 3.5.

Schemes and symbols

Sizes: 36/38 (40/42) 44/46

Description

We alternate patterns 1 and 2. The product is knitted across, front and back - in one part.
Recruiting 144 in. n. (= 6 rapports) + 3 c. lifting point, 9 p. y. 1, then y.2:
1 p. (wrong side): s. without n..
2 p. (front): 48 p. from 3 n., 36 p. from 2n., 36 p. from 1 n., 24 half-columns.
For the first armhole of the sleeve on the left side in the 2nd p. y. 2 recruiting 48 new c. n. and on them in the next. R. (= 3rd p., purl) do with. without n., on the remaining s. pr. we make half-columns.

Now again we do 9 p. y. 1 and 2 p. y. 2, in the 3rd p. for the neckline, leave 18 s unknitted. without n., knit. 9 p. y. 1 and 2 p. y. 2, in the 2nd p. for the cut, leave without knitting for 30 s. without n., again 9 p. y. 1, in the 1st p. recruiting new 30s. P..

For the neckline, we collect 18 new c. p., 3 p. y. 2 and 9 p. pattern 1, 3 p. pattern 2, in the 2nd p. for the second armhole of the sleeve on the left side, leave untied 48 s. without n., 9 p. pattern 1, 3 p. pattern 2, in the 2nd p. we are recruiting 48 new calls in. p., * knit. 9 . pattern 1 and 3 p. pattern 2, repeat x 2 from *, 9 p. pattern 1, finish with three p. pattern 2, in the 2nd p. leave untied 48 . without n..

Assembly

We stretch the product along the pattern and dry it under a damp towel. We close the side seam, we tie the neckline and armholes of the sleeve 1 p. With. without n..

Stylish beach tunic. Fillet knitting for beginners.

We will need:

• yarn (55% silk, 45% cotton), 500 (550) 600 grams;
• cr. No. 3.5;
• 2 leather laces, 100 cm each.

Scheme

Pattern

Sizes: 36/38 (40/42) 44/46

Main node: with. with n .. Each p. we start from the 3rd century. n. instead of 1 s. With. n., and finished. 1 s. from n. in the last V. n. pr. r..

Fillet knitting: the number of p. kr. 2 + 41. We work according to the scheme. Beginning. with p. before rapport A, rapport A is constantly repeated, perform 1 time p. between rapport A and C = rapp. B. Rapp. C repeat when finished. n. after rapp. C.

We perform 1 time 1-15th rr., Then 2-15th rr. constantly repeat..

Lattice: we do on an odd number p. across. 1 s. from n., 1 c. p., finished 1 s. with n..

Description

Back

Chain of 95 (103) 111 c. n. + 3 c. lifting and for the bar 3 cm = 3 p. main uz .. We continue to work: we start from the point before the rapp. A, no. 4 (6) 8 times rapp. A, 30 p. Rapp. B, no. 4 times rapp. C, 30 p. rapp. B, 4 (6) 8 times C, ending. n. after C.

After 14 cm from the strap, knit. on both sides, the first and last 5 p. (see fillet knitting).
Having knitted 58 (56) 54 cm from the strap, skip for armholes on both sides, 8 p. = 79 (87) 95 p.
After 76 cm from the planochki order. work.

Before

Like a back, but with a neckline and a neckline: after 31 cm from the plank, we knit the middle 5 p. knots, on both sides of them we continue to work as usual.
In sl. 2 p. expanding the main uz. on both sides by 1 p., respectively.
After 34 cm from the plank, we divide the knitting in half, for this we double the middle loop. First, we continue to knit the right half on 48 (52) 56 p., last. 5 sts before the start of the neckline knit. main uz.
Decrease for the armhole along the right edge - as on the back = 40 (44) 48 p..
After 24 cm, we skip 8 sts for the neck along the left edge and for rounding in each next. R. 1 x 4 p., 2 x 3 p., 2 x 2 p. and 4 x 1 p.
On 22 (26) 30 p. slave. 76 cm from plank.
The left side is mirrored to the right.

Sleeves

For each of the sleeves knit. chain of 67 (71) 75 c. n. + 3 c. lifting and for planochki 3 cm = 3 p. main knot..
We continue loin knitting, while starting from the p. Before the rap. A, rap.t A constantly repeat., order. n. after C.
For the bevel of the sleeve + on both sides in each 8th p. from planochki 3 x 1 p. (in each 4th p. 5 x 1 p.) in each. 3rd r. 7 x 1 p. acc. Uz. = 73 (81) 89 p.
After 27 cm from the planochki order. knitting.

Assembly

We sew the tunic on the shoulders, sew in the sleeves, make the side seams and the seams of the sleeves. We tie the neck 3 p. With. with n..
We put leather laces crosswise.

Fillet knitting pillow: video master class

https://youtu.be/YdMwOSwPrz4

https://youtu.be/8nStGkUlmCc

https://youtu.be/NsBa_cLetyw

https://youtu.be/-kZh8-mz6Ys

https://youtu.be/q5WziAQOyz8

https://youtu.be/ycPMxi3xpoc

https://youtu.be/-B8iZi7crZg

https://youtu.be/7wmSjneDBy0

We hope. our master class will be useful to you. We wish you comfort in the house and warmth in the soul!

A selection of fillet knitting patterns

Cardigan in the style of "hippie" crochet.

The hippie style manifested itself recklessly and colorfully, rejecting established rules, principles and trends, therefore crocheted products are the favorites of this style, when it is possible to boldly mix not only colors, but also patterns, which is a vivid example of a cardigan actively decorated with another popular element - fringe.

You will need: 600 g of beige yarn and 200 g of mustard color (100% microfiber; 150 g / 400 m); hook number 2.5; 5 buttons.
Fillet row (abbr. Fr): 3 air. lifting point, * skip 1 base point, 1 air. p., 1 tbsp. s / n *.
Knitting density: 18 art. s / n x 12 p. = 10 x 10 cm.
Back: tie a circle with a beige thread according to scheme 20.1: from the 1st to the 7th rows - 6 rapports in a circle; to avoid excessive expansion, in the 8th row of the loop evenly cut (120 p. \u003d 60 loin cells), from the 9th row - 15 rapports in a circle. At the end of the pattern along the upper edge on 4 rapports (= 87 st.), tie 1 row of st. s / n mustard. thread, 1 Fr and 1 row of art. b / n beige, 1 row st. s / n mustard. thread, then leave in the center 25 tbsp. and finish both sides separately. Alternating the colors of the yarn every 2 rows, knit: 1 Fr, 2 rows of st. s / n, 1 Fr, 1 row st. s / n (= 31 st., 15 "loin cells"). Turn the work, determine the center of the lower edge and tie 8 rows according to scheme 20.2, distributing 3 rapports from the center to the right and left. Then mark 4 central rapports and tie 1 row of st. s / n and 2 Fr. That. an oval is formed from the circle, tied at the top and bottom to align the edge.
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Shelf: knit in the transverse direction from the side edge of the back. With a beige thread, dial a chain from the air. p. 21 cm long (= armhole) and tie 1 row of st. b / n, continue it along the side of the back. Next, knit along the entire length: 1 row of Art. s / n mustard., 1 Fr and 1 row st. s / n beige, 1 row st. b / n and 1 row st. s / n mustard, beige thread 12 rows with a pattern according to scheme 20.3 and 1 row of st. s / n. For the neckline, leave 24 cm from the shoulder seam and then continue on the remaining loops: 1 Fr beige, 2 row st. s / n mustard., 8 rows with a pattern according to scheme 20.4 with a beige thread, 2 rows of art. b / n mustard., 2 rows of scheme 20.5 beige, 2 rows of art. b / n mustard. Knit the second shelf symmetrically. Run shoulder seams.
Sleeve: knit from the armhole down with a beige thread. Measure 21 cm to the right and left of the shoulder seam and knit 1 row of st. s / n. Continue with the pattern according to scheme 20.6, placing it in the center, repeat rapports to the right and left. To narrow, decrease on both sides by 1 p. In each 3rd row. At a height of 41 cm from the beginning, finish the work. Knit the second sleeve in the same way.
Assembly: perform the seams of the sleeves, tie them in a circle st. b / n - 1st, 3rd and 4th rows with mustard thread, 2nd beige. On the bottom edge of the product, tie 1 row of art. s / n and 1 Fr with a beige thread, 1 row of st. s / n mustard, 1 Fr beige, mustard thread 1 row st. s / n and 1 row - * skip 2 p. of the base, 2 ch, 1 tbsp. s / n *. For the inlay along the edge of the neckline, tie 2 rows of mustard and 1 row of beige thread with b / n columns, while knitting 3 tbsp in the corners of the front. together. Next, for the strap along the edge of the shelves and the neckline, tie 6 rows of st. b / n, while in the upper corners of the shelves perform 3 tbsp. in one p. base. At the bottom, pull the brushes into each 2nd “loin cage” (6-8 threads 20-22 cm long), sew on buttons on the left shelf, use the holes in the pattern for fastening.

Filet crochet has the appearance of lace. This technique is already about three hundred years old. Its name comes from the French word fillet, which means net. With the help of filet knitting, various products are obtained: skirts, shawls, socks, pullovers, blouses, trousers, etc. They all look a little unusual, but beautiful and elegant.

To knit correctly in this unique technique, you need to have on hand patterns for the manufacture of various products and examples of patterns to choose from.

For beginners (basics, materials)

To start knitting loin, you need special materials. For work you will need:

• Hook. From a variety of products, a tool is chosen about 14 cm long and 1-8 mm in diameter. It can be made from wood, metal or plastic. The hook number corresponds to its diameter in millimeters. It is best to stock up on tools of different sizes.
• Threads. For sirloin knitting, synthetic, woolen, linen, cotton threads are chosen. They differ not only in composition, but also in thickness. Two numbers are used in the designation of threads. The first means the thickness of the product. The second is the number of threads twisted together.

The thicker the selected thread, the warmer the product. Therefore, thick yarn is used for knitting winter things. The diameter of the hook should match the thickness of the thread.

As a result of knitting, two types of products can be obtained:

• Knitted without yarn breakage. That is, if such a canvas is dissolved, then a solid thread is formed. It is made in rows - one goes in one direction, the other in the opposite direction. The resulting product looks the same from the front and from the wrong side.
• The canvas consists of individual elements. They are called motives. They can be rectangular or round. First, the required number of necessary elements is made. In this case, after knitting one motive, the thread breaks. After that, they are fastened together, forming a product.

For those who decide to do filet crochet, we offer free patterns and pattern options.

Variants of simple patterns




Using examples of patterns, you can knit various products, they are taken as a basis. Where the pattern is depicted, knitting is done in rows. To make a thing from motives, you must first link several elements. Then they are sewn together with a thread and a needle. Thus, the canvas and individual parts of the product are formed. Graphic elements are visible on the images, each of them has its own designation. So the horizontal oval symbolizes the air loop. The vertical bar denotes a single crochet.

Here is a photo list of schemes of simple motifs and patterns:




Schemes of a simple dress

Beautifully look dresses in the technique of loin knitting. To make a pink dress, you will need hook number 2, 400 g of yarn. Pink beads are used as decoration. Technique - composite canvas. First, a product pattern is applied to a non-fading dense fabric. Using the caterpillar cord, you need to braid its contours. Then individual elements are knitted: rings, flowers, shamrocks, etc. In this case, the size of the leaves can be different, it depends on the length of the initial chain.

After knitting the motifs, they need to be laid out on a pattern and secured with pins. In this case, the front side of the elements should be at the bottom. It is best to start with large elements, and then fill in the space with small motifs. After creating the necessary pattern, proceed to stitching the elements. Free space is filled with breeds. For this purpose, 2-3 threads are stretched between adjacent elements, which are then braided. When the stitching of all elements is completed, the basting is removed. Then the parts of the front and back are connected, making a small fit on the side in the chest area.



The second dress is made as follows: after applying the pattern, the top of the product is knitted separately, as well as horizontal motif ribbons. There are three of these ribbons in this dress. It is necessary to take into account the circumferential length of each ribbon, depending on its location on the pattern, because the dress should taper towards the bottom and expand at the hips.

When all the tapes are ready, they are sewn together. They need to be “planted” according to the figure. If necessary, sew a lock. The connected motifs are sewn to the separately knitted top of the dress.





Children's hat patterns






The hat is made in a circle. To make a calculation of the inner circumference, it is necessary to determine the diameter of the head and subtract 2 cm from the resulting value. This is necessary for a tighter fit of the child's head with a hat. To calculate the diameter of the bottom, you need to use the formula for calculating the circumference of a circle:

P = 2πr
P is the length (perimeter) of the circle,
π is Pi number (3.1415),
r is the radius,

For a product of size 44, the diameter of the bottom will be 14 cm. Therefore, in the process of knitting, you need to make increments until the diameter becomes equal to the required value. To determine the height of the tulle, it is necessary to do a fitting. For the formation of fields, an increase is performed, the degree of which is determined during the fitting process. For this purpose, two columns are knitted into each 2nd loop. To give the product the desired shape, a rigid tape is used, which is inserted into the first and last row of fields.

Schemes of Christmas balls











You can knit not only clothes, but also Christmas balls. To do this, you need to take plain or transparent Christmas decorations and beautiful yarn. The product made of golden threads looks interesting.

For manufacturing, use ready-made schemes. The ball is simply tied with threads according to the pattern, adding / subtracting loops and rows in the right place. At the end of the knitting of the ball, arches are made from air loops, which are pulled together at the bottom of the product. There is also a loop for hanging jewelry.

Scheme of an elegant jacket







Product size - 42-44. For its execution, you will need three skeins of yarn, a hook - 1.7 mm, buttons d \u003d 25 cm - 10 pieces. The product consists of six parts:

1. Back. For her, they collect a chain 44 cm long and knit 12 rapports of the pattern. After completing 9 cm of the canvas, they make a decrease in half of the repeat of the pattern. After that, another decrease is made after 3 rows. They continue to knit until the height of the fabric reaches 25 cm. After that, they add half of the pattern repeat on both sides. Having reached a height of 30 cm, they leave half of the rapport not knitted from the sides. This is necessary for armholes. Having knitted to a height of 46 cm, 16 cm are left untouched in the middle. This is for the neck. The formed parts of knitting are carried out separately. Their length is 2 cm.
2. Right shelf. For her, they collect a chain of 71 loops. Next, 10 rapports of the pattern are made. From the edge of the shelf, two shortened rows are made. To do this, knit three rows. In the fourth, six rapports are made and a single crochet is performed before turning. The next row is knitted, after turning, 6 rapports are knitted, returning the loops of the third row. In the process, the armhole is knitted. Having thus made 22 cm of the canvas, you need to add half the rapport from the inside of the shelf. For the neck at a height of 46 cm, 5 rapports are left. In the process of knitting, for buttons, you need to leave holes, between which a distance of six centimeters is observed. As a result, the height of the shelf should be 47 cm.
3. Left shelf. After dialing 43 air loops, six rapports are knitted. Two short rows are made from the edge. This armhole is done as on the back. Having knitted 46 cm of the fabric, leave 1.5 rapport for the neck. After reducing half of the rapport, 3.5 rapports for the shoulders should remain. The height of the finished shelf should be 48 cm.
4. Sleeves. After knitting the back and shelves, they must be sewn together. You need to knit a sleeve from the armhole. For this, three rapports are knitted. In this case, a gradual addition is performed, after which eight rapports should be obtained in the fifth row, and ten in the eighth. Fastening to the armhole is carried out using connecting posts. Starting from the tenth row, they start circular knitting. After 40 cm, gradual decreases begin one rapport three times. As a result, four rapports should remain. Having completed ten cm of knitting from the bevel, the work is completed. To decorate the bottom of the sleeves, you need to make a hem by one cm and hem it.
5. Collar. Stepping back from the shoulder 11 cm, attach the thread. Next, they knit, starting from the neck, the “fan” pattern. At the same time, distribution is made in half of the rapport on the shelves and 12 on the back. For the collar, you need to knit four rows.
6. Shoulder straps. Make a chain of seven loops. Next, perform columns without a crochet. The length of the finished shoulder strap is 8 cm. The second is knitted in the same way.
7. Finishing. The edges of the collar of the product and the shelves are decorated with half-columns with a crochet. Hem the edges of the right shelf, bending 2 cm. Hem the bottom of the product, bending 2 cm. Buttons are made and sewn, focusing on the pattern. Shoulder straps are sewn on.

Skirt scheme

Make a chain of 12 loops. Next, a canvas 42 cm high is made with double crochets. Then they begin knitting the middle part, along the long side of the resulting strip, performing the pattern according to the pattern. Having reached the desired height, knit the upper part of the skirt. After knitting all the details, the product is assembled.

Shawl pattern

For knitting, you need to take hook No. 3 and yarn - 450 g.

Knitting starts from the bottom corner. At the same time, an expansion is made in both directions. For knitting, use the attached pattern. From the third to the 14th row, repeat the rapport. There are 84 rows knitted in the shawl in the photo. Scheme No. 2 is used to tie the bottom of the product. An arch is made at the corner. The top is decorated with alternating rows. First, five RLS are done, and the sixth row will be RLS with pico. Fringe tassels are attached under the arches.

Scheme of a summer sweater

To make a size 44 product, you will need thin yarn - 300 g. You also need hook No. 2.

Product execution:

1. For the front, you need to complete a chain of 174 loops. The next three rows are made with double crochets. The remaining 12 rows are performed according to scheme 1. After that, they proceed to the main part of the jacket, respectively, to scheme 2. Having reached the neck, they begin to decrease, focusing on scheme 3.
2. The back is performed accordingly to the front, but focusing only on 1 scheme.
3. For the sleeve, a chain of 132 loops is made. Then it is connected in a circle and a pattern is made according to 1 pattern.
4. At the end, the assembly and stitching of the product is performed. The edges of the sweater are made out next to the "crustacean step".

Pullover pattern

To knit this elegant pullover, you will need a number 3 hook and sand-colored yarn. For size 44, 750 g. Scheme 1 is used to make product slats. The rest is knitted based on the 2nd scheme.

Product execution:

1. For the front, a chain of 167 loops is made, taking into account 3 lifting loops. Next, 48 cm of fabric are knitted, focusing on scheme 2. After that, the middle two loops are left unknitted for the polo cutout, and the remaining parts are knitted separately. After completing 68 cm of the canvas, a reduction is made for the neck. It is necessary to gradually reduce 18 loops.
2. The back is made in the same way as the front, but there is no cutout for the polo. After completing 66 cm of the canvas, 14 loops are left for the neck. In the process of knitting it, you need to reduce another 12 loops.
3. For the sleeve, 99 air loops are performed, taking into account 3 lifting loops. After that, 48 cells of 2 patterns are knitted. Then 24 times an addition is made one loop through the row. After completing 48 cm of the canvas, they finish the work. The second sleeve is also knitted.
4. Product assembly. Planks are patterned in seven rows. The bottom of the sleeves, the front, the back are made in single crochets in one row. The back and front are sewn together. Sleeves are sewn into the armholes. The cut of the neck, including the polo, is made with single crochets in two rows, and at the end with a “crustacean step” in one row.

Chapters from the book: “Lace. Technology of manual and machine production» F.Schener
The previously described types of lace are each made according to its own, more or less homogeneous technology, with only minor and not always mandatory involvement of other technological methods, as is possible with “sunny” lace and macrame lace. Starting to consider loin lace, we first meet with a combination of two technologies, i.e. combination.

This article deals with the manufacture of fillet lace by hand. If you want to learn how to create lace designs for embroidery equipment, sign up for courses.

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BASIC CONCEPTS AND TYPES OF COMBINED LACE
It is known from the practice of manual lace making that different technologies can be combined. They do this to speed up the work, and more often for aesthetic reasons. We have already talked about the use of sewing elements when weaving bobbin lace or when making tatting lace. But at the same time, they get not a new type of lace, but a variant of the main technology. A real combined lace can be called only that kind, where the use of two different technologies is a prerequisite for its production.

CORE TECHNOLOGY
Loin lace is obtained by netting and sewing, both of which are performed separately and at different times. First, a net is woven, and then some of its cells are filled by sewing with a needle.

The emergence of netting refers to the Neolithic period. Almost all primitive peoples were familiar with the prosaic fishing net, as well as mesh bags and similar household items. Later they tried to make them more beautiful. Filet lace has the same “age” as needlework and bobbin weaving, and its heyday dates back to the Renaissance.

Mesh weaving is performed using a special needle and rod. In the process of weaving, rows of quadrangular cells appear. When the threads are pulled together, weaving knots are formed. You can often hear how the methods of filling cells using fillet lace technology are called embroidery. This is completely wrong. The grid is not a ground for embroidery, but its filling is sewing with a needle. Suppose you can embroider on sparse ground, but in this case the cells should be much smaller. The cells of the sirloin mesh are much larger than the tulle ones, the needle does not puncture here, and according to the weaving technology it is circled around the base of the base. This basis - the grid - is an integral part of the lace ornament, and not only the support of this ornament.

With the technology of both sewing and embroidery, one continuous thread is processed with a needle - this circumstance does not allow a clear boundary between both technological methods. They are really closely related, and embroidery, as you know, served as the basis for the emergence of sewing with a needle as a method of obtaining lace. In addition, the stitches used for processing loin mesh are very diverse and their names may partially coincide with the name of embroidery stitches, but their technology, as already mentioned, differs from embroidery.

WORK TOOLS AND RAW MATERIALS
To obtain a mesh, or milling, use a special weaving shuttle, hoop and rod. The braided shuttle is a metal stick, both ends of which are in the shape of a loop
Figure 2.187

The end of the thread is passed into the hole of the shuttle, tied in a knot and wrapped around the loop. With the help of this tool, which combines a needle and a bobbin, it is convenient to thread the thread through the mesh.

To fix the product being produced, a hoop with screws is used, with which the hoop is attached to the edge of the table. An auxiliary thread is introduced into this holder in the form of a knotted loop, which serves as a support for the first row of mesh cells.

A flat or rounded rod (in Fig. 2.187 it has the shape of a pencil) is used to produce mesh cells of the same size. Sometimes these cells are called loops, although they are not. To get a very thin mesh primer, take a knitting needle. With a coarser grid, a flat rod is more convenient: with its help, the rows of knots along the upper edge turn out to be more even and slip less, due to which the cells come out more uniform.

To start filling, the set must be pulled onto the hoop. Light metal hoops that can be adjusted in width are most suitable for this purpose. They are easy to install according to the mesh size. A piece of fabric is sewn to a narrow or deviating from a rectangular mesh to tension them. Filet napkins, etc. products of a round shape also require a round hoop, and an additional thread is passed between the frame of the hoop and the edge cells. The mesh is filled with a blunt embroidery needle.

The mesh is obtained from not too tightly twisted sewing thread, most often linen, less often cotton, natural or rayon. The thread should not be stiff and flexible. The same thread is mostly (but not always) used to fill the ground. In any case, the filling thread should not be thinner than the ground thread. For special effects, threads are taken from various types of raw materials, of various colors and thicknesses. Sometimes matt-shiny, fleecy-smooth, etc. are also used. contrasts. It goes without saying that the thickness of the thread to produce the mesh must correspond to the size of the cells.

MESH PRODUCTION
This work can be done in several manual ways and one machine. Accordingly, a distinction is made between square fillets, “track” fillets, satin, round, patterned and machine-made fillets.

Let us first describe the general points inherent in all variants of hand knitting nets. Mesh cells arise due to the fact that the thread supplied from above is looped around the rod, passed through the adjacent upper, previously formed, loop and tied with a knot. A knot is obtained by tracing the same thread around itself. Rectangular, usually even square cells arise from two loops located above each other and threaded into each other. Thus, for one row of cells, two rows of loops are required.

Since the mesh is always knitted from left to right, the finished product has to be turned after the completion of each row, while removing the core. To start the next row, it is applied to the bottom of the previous one in order to wrap the thread around it again.

The position of the hands is shown in Figure 2.187. The rod is held with the thumb and forefinger of the left hand, while the rest of the fingers pull the thread with the force required to create the necessary tension. The shuttle is driven with the right hand, thus also imparting tension to the thread.

Each individual loop is obtained using four tricks. Schematically, without showing the position of the fingers, they are shown in Fig. 2.188. Rice. 2.188a shows how the thread emanating from the last formed loop first freely falls behind the rod down, and from there in front of the rod up, from this position to the left and right, forming a loop, then again behind the rod down. The thread drawn around the rod lies around the middle and ring fingers of the left hand and is pulled out by them. The loop located on top is pressed against the rod with the thumb.

The second technique (Figure 2.188 b) consists in the fact that the shuttle is carried out from below through a loop stretched with two fingers behind the rod, and then it is passed through the cell of the previous row located above. In this case, a new loop appears under the rod, which is captured and pulled with the little finger.

At the third reception (Fig. 2.188 c), the shuttle is taken down under the rod, which is why the upper, previously formed cell lies on the rod. In this case, the thumb releases the loop held by it, and it lies around the tightened end of the loop. The position of the fingers in this technique can be seen in Fig. 2.187.

Now the thread is being tightened (Fig. 2.188 d). To do this, the thread is pulled with the right hand, and the left hand alternately releases the loops: first held by the middle finger, and then by the little finger.

As mentioned in the previous section, the first row of the grid is produced using the initial, or auxiliary thread. Depending on the configuration of the grid, it is necessary to increase and decrease the loops produced. Throughout the work, as the entire thread wound on the shuttle is used up, a new thread has to be introduced. It is tied with a weaving knot to the last worked out mesh knot.

We now turn to a description of the various types of grids.

Square fillet:
Individual cells of this grid are square in shape. Due to the fact that in the process of working out the grid is located at an angle down, it is somewhat stretched. Fig. 2.189 shows that two loops are first attached to the auxiliary loop with the help of three knots. In each subsequent row, two loops are added, for which, after each turn, two knots are worked out in the last loop. The last added loop is shorter than the previous ones. (Figure 2.189 c)

Having reached the desired width of the loops, all subsequent rows are already worked out with a deduction. To do this, the last two loops of each row, two loops each, for which, after each turn in the last loop, two knots are worked out. The last added loop is shorter than the previous ones (Fig. 2.189 c)

Having reached the desired width of the loops, all subsequent rows are already worked out with a deduction. To do this, the last two loops of each row are connected with only one knot. The last two loops of the mesh are connected by a knot without the help of a rod (position A, Fig. 2.190). At the auxiliary loop, at the beginning of weaving, the upper knot is untied, the thread is pulled together and fixed. As can be seen from the figure, irregularly shaped sketch loops accumulate along the edges of the finished square grid. They can be cut off later, and the edge can be worked with a buttonhole stitch.

Rice. 2.190-2.191

But if you want to use these edge loops as decoration, for example on decorative napkins, then the square mesh will consist of two parts. An auxiliary thread in the form of a wide arc serves to earn the first row, which corresponds to the middle of the grid. This row consists of the maximum number of loops. In all subsequent rows, the last loop is not fixed, which is why the loops are reduced, as can be seen in Fig. 2.191. Having reached the corner, the auxiliary thread is removed and the knots of the first row are pulled up. The resulting triangle is turned, its last loop is fixed in the hoop and the same triangle is tied to the last loop row. Together, the two triangles give a square-shaped grid.

Fillet "path":
A modification of the square fillet is a grid in which, as a result of alternating large and small cells, a structure is obtained where rectangular loops appear between square cells of various sizes. the latter form paths. By circling the thread twice around the rod, double the loops are obtained. After removing the rod, an additional amount of thread allows you to get an oversized loop.

The next time the rod is laid out, where small loops will be formed, tie knots at some distance from the rod, or rather above it. The alternation of large and small loops makes it possible to obtain grids of various structures.

Satin fillet:
The satin fillet also has square-shaped loops, but it is produced using a technology different from that of the usual square fillet. On a particularly large bow of the auxiliary loop, throw as many sketches as the loops fit across the width of the grid (Fig. 2.192). at the same time, there are no deductions and increases in subsequent rows. Having completed the development of the grid, the auxiliary loop is removed, and the initial nodes are pulled up.

Rice. 2.192

To avoid the usual increase in the length of the thread in the loops of the first row in these cases, a thinner rod is used to obtain it. If the given width of the finished mesh exceeds the width equal to the maximum possible number of initial loops, then a special method of earning is used. Through the auxiliary loop, only one yarn over is made and after each turning of the grid, only one loop is formed. Having received earnings of the desired width, the auxiliary loop is dissolved and an auxiliary thread is passed through the longitudinal row of earnings. This thread takes on the role of an auxiliary loop. On the earnings located in the transverse direction, the next loop row is produced. There is no accumulation of loops along the edges of the satin fillet.

The round-shaped fillet shown in Fig. 2.193 differs from other types of fillet in the technology of production, and often in its purpose. Since it is worked out in a circle, the core, after receiving several loops, is taken out before the end of the row and the thread is circled around it again, otherwise the previously obtained loops would come out too elongated. Only the last loop of each row is left on the rod. The initial row is very dense, each subsequent row is looser. Therefore, the mesh acquires a characteristic star shape.

Rice. 2.193

The first (central) circle, more or less tightened and fixed with knots, forms a core of a larger or smaller diameter. When developing the initial circle, it is important to leave a freely hanging end of the thread with a length equal to the radius of the mesh being made. This end serves as a connecting thread in the transition from one circle to another.

A patterned fillet in the special literature is called a milling pattern. Unlike square fillets, satin and round fillets do not have to be filled with embroidery, since the decorative effect here can be obtained through special processing methods. The most famous four such methods are:

1) using a thicker than usual rod, elongated loops are worked out in separate rows, which are twisted several times with a knitting needle (Fig. 2.194). Thickened vertical brids are obtained, which, as usual, are fixed with knots when working out the next row;

Rice. 2.194

2) in separate loops they knit, like a fringe, several loops-bunches, which are fixed with a knot in the next row (Fig. 2.195)
Rice. 2.195

3) two loops are pulled together into one with two knots, which results in narrow pendants. In the next row they are fixed, as usual. This method and the resulting grid structure are shown in Fig. 2.196.

Rice. 2.196

4) the loops are crossed, as shown in fig. 2.197. In such a grid (it is called a “rose fillet”), one row is worked out with the help of a thinner and the other with a thicker rod. For a wider row, the first loop is passed through the second, and the second through the first. Then the first loop is fastened with a knot, and then the second loop. By constantly alternating two rows, a mesh is obtained that is completely different from other types of sirloin mesh.

Rice. 2.197

Such nets, due to their insufficient decorative effect, are at the very last step of lace. But patterned fillets can be very decorative. The different density of its rays, the peculiarity of the effect in the center (which can be further enhanced by leaving the center free and then filling it in by sewing, back braiding with a knot in the middle or gossamer using darning stitches) complete the resulting mesh, which fully deserves the name of a lace product

FILLET OF MACHINE WORKING
They began to develop loin net on machines no later than the end of the 19th - beginning of the 20th century. The then new machines produced fillet nets and so-called guipure nets, which were also intended for making lace. Machines caused the greatest relief and cheapening of lace production. According to the working width of the machines, lace was obtained with a width of several meters, for example 4.1 m.

The machine is vaguely reminiscent of a multi-shuttle machine in design and operation; it operates on a two-thread system, i.e. the knot on it is obtained by connecting two threads, and not one., As with manual weaving. The high productivity of the machine in the development of the mesh is due to the large number of working bodies. On a machine with a width of 3m, their number is 500, and the distance between them is only 6mm. The upper threads are fed from the creel located above the machine. These threads pass through the thread guide roller and then run vertically, like the warp on looms. The lower threads come from thin bobbins that sit in shuttles. There are as many last (and lower threads) as there are upper threads.

The horizontal row of shuttles is located on a common support, which reciprocates back and forth on the move of the electrically driven machine. The movement of the shuttles, as well as a number of levers, is regulated by the tension of the threads in the process of their connection.

The working bodies, equipped with hook needles, capture the threads and cross them. After crossing the upper and lower threads, the upper threads are captured by the upper comb, which, when moving back, expands the loops that have arisen and pulls them through the shuttles, and then releases, which makes the upper threads fall under the lower ones (Fig. 2.198). With the subsequent pulling of the threads, knots appear at the crossing point. The latter are formed on the lower edge of the horizontal profile bar.

Rice. 2.198

Knotting occurs alternately on the left, then on the right, captured by the upper ridge and stretched upper thread, due to which a lateral connection occurs. The pin comb, located above the profile bar, before each knotting, shifts the upper threads either to the right or to the left. Due to these shifts of the upper threads between the pins of the comb, only half the number of knots are tied on the left and right edge threads in the machine.

The machine can be set to varying distances between the nodal rows, but this distance must remain constant during the netting process. The spacing between rows determines the size of the cells. On the machine, where the produced mesh is pulled by rollers from the profile bar to the commodity roller, the cells acquire their usual square shape.

On fig. 2.199 shows knotting on a netting machine. In contrast to manual working, where the mesh is turned over after receiving the next row of knots, which is why each row consisting of front and back cells has a different look, the raspberry mesh is distinguished by the presence of the front and back sides, while the internal structure of each of the sides is the same. On this basis, the machine mesh is easy to distinguish from the handmade mesh. If we compare the node in Fig. 2.199 with the node shown in Fig. 2.137, we will make sure that the machine forms fishing knots.

Rice. 2.199

A more detailed description of the netting machine does not seem necessary, since it does not produce lace itself, but only the basis for it. The mesh produced by the machine is washed, freed from contamination, expanded and finished. Usually it is cut into pieces corresponding to the size of piece lace.

FILLING
To fill the grid, it is stretched onto a hoop, the sides of which can be rearranged in length and width with the help of pins and drilled holes. The corners of the hoop should be straight, which is ensured with the help of special clamps. If the grid is very large, then it is either pulled onto the hoop one by one section by section, or the hoop is dispensed with altogether, attaching the area to be filled to dark cardboard. The latter method is applicable for filling very small napkins or narrow finishing lace with a strip.

Mesh filling is often referred to as both embroidery and darning. The first name is generally wrong, the second is inaccurate. Filling elements are really similar in appearance to embroidery stitches, but the technology of their production by hand does not correspond at all to the technology of embroidery. When filling in filet lace, the thread is woven with a needle between the mesh cells, and this work is much closer to sewing than to embroidery. The cells of the grid serve as bridges; here they are not auxiliary elements, as when sewing with a needle, but an integral part of the ornament. And with other lace technologies, a bred mesh with square cells is often created, for example, with one of the crochet options.

The main type of stitch in embroidered lace is looped. On fillet lace, it appears only occasionally, since this lace already has a solid base in the form of a grid. Due to the fact that the whole sewing technology originated from embroidery, the names of the stitches were borrowed from there. The darning stitch is widely used in the production of filet lace, but as a purely decorative element.

When filling the mesh soil, the thread is introduced into the mesh structure in a variety of ways: it can be woven, knotted, it can form stitches and seams. Fillings could be subdivided into loose and dense, into those limited by the size of the cell and beyond it.

More significant are the differences between filling by weaving and by embroidery. Knots during filling are used only as an auxiliary element - to develop a new working thread at the beginning of filling and at its end (if there is no direct transition to the next filled section).

Below we describe the most common methods and drawings when filling out.

Filling in the drawings is done with a long and blunt needle, corresponding to its thickness, the type of thread and the size of the mesh cells. Some drawings look better if they are made with a coarse thread, others vice versa, therefore, in the process of work, it is quite possible to replace the thread. For greater effect, a lace is sometimes produced. For all types of filling, the patterned thread is started alternately above and below the transverse threads of the ground mesh. The transition from one form of drawing to another should be as imperceptible as possible. Thickening should be avoided. In all the figures, only the contour of the fillet net is intentionally indicated: this makes the scheme for laying the patterned net more noticeable.

Linen stitch pattern:
This is the most common pattern for filling a sirloin net. In its square cells, the same number of stitches is laid horizontally and vertically, as with plain weave, and it must be even. It does not matter whether you start threading with horizontal stitches or vice versa, you should only pay attention to the fact that the thread should not pass too often along the edge of already filled areas.

On fig. 2.200 a shows the beginning of the development of a thread in a longitudinal row of cells with vertical stitches. On fig. 2,200 b shows the filling of several squares, in fig. 2,200 in - a large area of ​​several square cells. The density of the pattern with a linen seam can be different. For example, in fig. 2,200 per seam is pretty loose.

Rice. 2,200

Brid braiding can also be carried out according to various options. This is clearly seen from the figure and a detailed explanation is not required here. On fig. 2,200 b d, the corners of the square appear rounded. To achieve this, the thread after filling is passed around the nodes of the square again.

Darning stitch pattern:
Dense squares are obtained using a darning seam. It is just as common in filling as a linen seam. As can be seen from fig. 2.201, the thread is woven only in this direction, but very tightly so that the stitches cannot move. When filling, the knot with which the embroidery thread is attached to the cell at the beginning of work also overlaps. The rest of the process is clearly visible from the figure.

Rice. 2.201 202, 203

In most cases, the patterned thread is worked into the fillet soil in only one direction, but to obtain a symmetrical pattern, this direction is periodically changed, as, for example, in Fig. 2.201 a.

Braided decking seam pattern:
In this figure, the filling is not as dense as in the previous case, but very stable. From fig. 2.202 it can be seen that the thread stretched in one direction is braided upon return. The figure looks like a column. Separate columns look bad: a greater effect is achieved with at least four columns. Also, for the best visual impact, braiding should always be done in the same direction.

Pique stitch pattern:
With this method (Fig. 2.203), the filling is especially stable and dense. Passing the needle through a certain number of cells either forward or backward, a dense layer of thread is pulled over these cells. Then the thread is woven with a darn stitch in the opposite direction from the original direction, from which thin scars are formed above the brids, which stand out in relief in the center of the square. Such a pattern should not be too frequent or large, otherwise the lace will come out heavy and hard. You should also not change the direction of the scars.

Tapestry stitch pattern:
The so-called tapestry stitch gives an effect similar to a darning stitch pattern, but the filling in the first case is denser and more durable. As can be seen from Fig. 2.204, the thread is first braided, as in the “plating with braid” seam pattern. Braided breeches cross the square cells in the center. Then the brids are intertwined, with a thread laid with a darning seam in the transverse direction.

Rice. 2.204

Air loop pattern:
A very light, graceful filling gives an air loop seam, shown in fig. 2.205. it is formed like a buttonhole stitch when sewing, but since, when it is obtained, the thread is circled around only one brida, the pattern with this stitch is easy. Individual cells, narrow borders are filled with an air loop seam, and sometimes they are placed in the form of a circle in the center.

Rice. 2.205

Other types of seams:
Unlike the previously listed seams, which fill in the squares of the cells (which emphasizes the square structure of the grid), with the help of seams of various types, this structure can be optically modified. In the handicraft literature, they are often referred to as decorative stitches. The pattern obtained with their help has a repeating character, i.e. generates a report.

Airy looped stitches, in essence, also belong to decorative stitches, although the effect of the square structure of the grid is more or less manifested with it. For decorative seams, a thread is often (but not always) used that looks different from the ground thread. The choice of patterned thread is entirely determined by the intended effect.

The so-called chain stitch is often used. To obtain it, the thread is drawn around the corners of square cells (Fig. 2.206), i.e. around nodes. In another version of this seam, not every node of the cell is circled with a thread, but through one, passing along the entire side of the cell.

Rice. 2.206

By choosing the direction of the thread, you can get a separate symmetrical pattern, such as a lattice (Fig. 2.207). Weaving the thread diagonally in the cells, first in one and then in the opposite direction with a bypass around the nodules, form a figure-eight seam. If you change the direction of laying (not vertically, but horizontally), we get a pattern in the form of honeycombs. Obliquely through two vertical cells with a loop around the knot up and down, and then in the opposite direction, a thread is passed with a zigzag seam (Fig. 2.208).

Rice. 2.207. 2.208

The previously mentioned "chain" and "eight" stitches with diagonal threading have many options. Two of them are shown in Fig. 2.209 and 2.210. The illustrations show the order in which these seams are made.

Rice. 2.209. 2.210

Spider and rib:
A very common element that enriches the drawing on a sirloin grid is the “spider”. It is obtained either by braiding crossed breeches with a darning method, or by wrapping them around the so-called scar. On fig. 2.211 a, shows the continuous formation of two rows of the “spider” pattern with a darning seam, in fig 2.211 b, the receipt of the spider is spiral. All types of "spider" pattern are developed from the center to the periphery.

Rice. 2.211

Another type of "spider" at the place of crossing of the diagonal brids scrolled by a thread is shown in Fig. 2.212 a. On the left, the beginning of work is shown, and it is clear that the thread alternately passes either necessary or under the transversely arranged brids. If they want to work out a “spider rib” pattern (Fig. 2.212 b), then a stitch is made back through each brid, the needle is passed under the place where the threads cross and it is brought up and forward under the second brid. At the same time, each brid is wrapped around and a ribbed "spider" appears.

Rice. 2.212 2.213

in fig. 2.213 shows more options for obtaining a "spider" pattern.

Also, using the rib method, diamonds were obtained in Fig. 2.214 (a-front side, b-wrong side). These and similar effects are performed, in essence, by needle sewing technology.

Other drawing options:
A hem and a darning stitch in a braided and braided sirloin mesh breeze and additional diagonal breeches receive patterns and figures of various shapes. Sometimes these are leaves, horseshoes, spirals, triangles, as in fig. 2.213c and 2.214b. The order of their development is visible from the figures. In a similar way, you can get loops in the form of a figure eight. A large selection of shapes allows you to get a variety of elegant patterns on the sirloin ground.

Rice. 2.214

Drawing based on additionally stretched threads:
If you want to get a pattern of complex shape on a relatively large area, the support in the form of a loin mesh cell may not be enough. Then, at the beginning of the drawing, a patterned thread is tied to the corner of the cell and pulled in the right direction through any number of cells. In order for the thread to be well stretched along its entire length and at the same time not to deform the mesh, you have to tie it up and pull it several times, which also distinguishes this method from embroidery technology. Examples of patterns obtained on the basis of an additionally stretched thread are given in fig. 2.211 b (helix), 2.215 and 2.216.

Rice. 2.215. 2.216

A stable form of a spiral occurs when winding or braiding in the opposite direction of a triple, additionally stretched thread. Asterisk in fig. 2.216 a, consists of a single, in fig. 2.216 b - from a triple, additionally stretched thread, and in the center of the thread are braided several times. By braiding an additionally stretched thread, the stalk of the branch in Fig. 2.215 was also obtained.

Work with buttonhole stitches:
The use of a buttonhole stitch when filling in a loin mesh makes this method technologically close to sewing with a needle. The edge of the products is also processed with a buttonhole seam. It has a purely decorative purpose in the development of patterns with a loose structure, similar to that shown in Fig. 2.212v. Such a pattern with loop stitches turns out to be convex and has the character of an appliqué.

The socket obtained by this method is shown in a slightly enlarged form in Fig. 2.217b, work begins by laying a few buttonhole stitches over the brid of the net. You can, of course, take an additionally stretched thread as a basis. Subsequent stitches no longer pass through the grid structure, but through previously laid stitches, which makes the pattern bulge. Only the first and last stitch in each row, when working out a petal, captures the mesh again.

Rice. 2.17

Since, with a rounded shape, subsequent rows consist of a larger number of stitches, it is necessary to work two stitches of the next row into some stitches of the previous row. sometimes the figurine is filled with a tight seam, and a looped seam is laid on top of it. The arches along the edge are sometimes with twisted loops, for which the thread is circled around the needle several times (see Fig. 2.214c), also obtained using a buttonhole stitch.

Thick thread processing:
An interesting effect can be obtained by turning a thick thread or even a cord into the edge of the pattern. On fig. 2.218 shows how a similar cord is used to edging a pattern made with a loose linen seam. The cord can also be worked in as an independent element, especially if it is additionally braided.

Rice. 2.218

SAMPLES OF DRAWINGS.
Both in industrial and in individual production, samples of drawings are widely used, which often look like so-called cartridges. A cartridge is a sheet of paper in a box, on which the filling elements and the lines for laying the cord are symbolically indicated. The drawing is given in reduction or life size. An experienced craftswoman is able to make such cartridges herself. Classic patterns for fillet lace are left to us by artists of the past. In industry, the creation of drawings is carried out by specialists with appropriate training. There are several ways to process the edge of a sirloin product. The most common one is shown in Fig. 2.218 is the edge overcast with a buttonhole. Much depends on whether the edge should be even or they want to finish it with cloves and scallops.

For example, cloves look good on small round napkins.

Fine examples of sirloin tablecloths and paths are given in fig. 2.219-2.221.

Rice. 2.219

The finished product is dressed, usually starched and dried in a stretched form, and sometimes ironed.

Good afternoon - today I am uploading an article in which I will show and tell in detail what beauty you can do with your own hands using filet crochet. Special FOR BEGINNERS I will show in drawings knitting rules and techniques additional cells needed for curly knitting loin napkins and blouses. That is, this article will not only MANY SCHEMES… but also clear lessons with descriptions and photo ideas for your creativity. And all this is free.

Here are the questions I have combined it into one post.

• Examples the use of filet knitting in the decor of the room (napkins, tablecloths, curtains, curtains, borders, pillows).
• Examples of using loin knit in creation T-shirts, tunics, skirts, jackets and shirts(I’ll even show you, using a specific example, how to create a sirloin detail of a T-shirt or shirt without a pattern).
• Schemes RECTANGULAR filet knitting (where you do not need to be able to add and subtract edge cells). I will give small diagrams for beginners (to practice the fillet technique) and large diagrams for creating loin pictures.
• FIGURE lessons sirloin knitting for beginners(I'll show you how to subtract and add cells to get curly contours of a napkin or tablecloth).
• A few descriptions of how to use LITTLE sirloin knitting in creating large tablecloth for table.
• Lots of schemes figured napkins with loin patterns - and for the NEW YEAR .... and schemes of HEARTS for Valentine's Day ... and fillet paintings in the kitchen in the form of a cup of coffee. So, let's start ....))

FILLET PATTERNS crochet for interior decoration.
(napkins, tablecloths, curtains, pictures, pillows)

The most beautiful crochet patterns are obtained on napkins made using the sirloin mesh technique. It is thanks to fillet knitting that roses, poppies and oak leaves with acorns can bloom on napkins.

On filet napkins you can do fabric inserts. As for example, in the bottom photo, where we see textile squares in the center of the rectangular sigments of knitting.

A sirloin napkin or tablecloth looks crooked - against the background of bright textiles of juicy shades. As in the photo below.

In the filet knitting technique, you can knit a border for a tablecloth ... and even a terry towel edging (first photo below). In the form of a filet pattern, decorative openwork curtains in the kitchen can be made. Curtains can be made in the form of a patterned sirloin mesh. The curtain fabric is starched and holds its shape and pattern well.

Filet knitting can serve as a passe-partout for photographs or paintings. Fillet paintings can also appear on your pillows ... roses, ships, birds, cats and whatever your heart desires.

You can make a set of sirloin napkins for breakfast - on a tray, napkins-stands for hot mugs.

You can make a curtain on a window with elements of a loin mesh ... or curtains on a doorway.

BUT FILLET KNITTING is not only napkins and pillows…

Having mastered the technique of this quick knitting, you can create fashionable unique wardrobe items for yourself.

It is possible in the technique of loin knitting tie a T-shirt – it's simple.

You need to get a pattern. To do this, you need to take your usual T-shirt. Put it on a piece of wallpaper - circle it with a pencil (fold vertically in half) so that the right silhouette of the T-shirt coincides with the left. If there is no mirror match, then cut off one side of the T-shirt pattern(left or right, whichever looks better, leave that one). And then from this silhouette, fold the whole pattern - circling it 2 times (normally and mirrored) on a new piece of wallpaper. And get a one-piece T-shirt pattern.

And more is needed start knitting - from the bottom up. Dial such a number of cells of the loin pattern - so that the row in length matches the bottom of the T-shirt pattern. And then knit a sirloin pattern - repeating the outlines of the pattern - then adding cells in a row ... then subtracting them (when you get to the waist, or to the armhole line).

Or you can save an old blouse with a stain. Cut off the sleeves from the shirt ... rip them open (and get a ready-made pattern for the future sleeve for loin knitting). And in the same way, cut off the shelves of the shirt (halves of the front) - and you will get a pattern of the shelf. And then knit loincloth - then subtracting, then adding the number of cells in a row– so that the contours of your knitting fabric repeated the contours of the silhouette of your shirt detail (back or front front).

GENERAL PRINCIPLE

for loin knitting RECTANGULAR pattern.

(we will talk about curly patterns a little later).

All these beautiful sirloin things are knitted according to the same principle. Empty cell + filled cell alternate - and a mosaic pattern is obtained.

For one empty cell- knit 1 double crochet and 2 airs.

For a filled cell- knit 3 columns with a crochet

Each row to start with 4 lifting air loops (instead of the first column of a new row).

Finish each row with one double crochet in the lifting air loops of the previous row.

HOW TO START THE FIRST ROW OF LOIN KNITTING.

THE MOST SIMPLE FILLET SCHEMES

FOR BEGINNERS.

If you have never created a fillet pattern, then to gain courage it is better to start with small schemes. With straight square or rectangular knitting fabric. Take and knit a mini napkin. For example, knit such a white house ... and sew it on black fabric ... it will become the background. And all this can be placed under a frame and hung on the wall like a small picture - or decorate a gift box with it. It is very pleasant to receive a New Year's gift with such a packaging decor ...

THIS NAPKIN WILL LOOK BEAUTIFUL WITH WHITE THREADS ON THE BACKGROUND OF THE COFFEE FABRIC. They also tied it up - they put a fabric on the back and framed it on the kitchen wall ...

You can make a whole series of such pictures for the kitchen ... here I found cross-stitch patterns ... If you remove the black filling of mugs from the patterns ... and leave empty cells instead.
Then we will get beautiful contours of coffee utensils that can be knitted using loin technique. (As you understand, two-color embroidery schemes ARE SUITABLE AS FILET KNITTING PATTERNS).

The subject of your pictures can be anything. - and you can apply them later. For example, if you simply insert a knit in the center of a white fabric, you get a tablecloth with a sirloin insert in the middle.

And small elements of loin knitting can then be used to create patchwork tablecloth to the kitchen. Or sew a loin piece of knitting to your sofa cushion.

As you can see... even small ones trial patterns in small schemes can get a long life in your interior.

Therefore, train on small patterns and fill your hand and patience for large feats of loin knitting.

And if you have chosen a round shape of a napkin for knitting - then you need to know how to decrease and add the number of cells along the edges of the row ( so that the canvas is rounded). I will talk about this in detail in the same article - a little lower.

And then, when you fill your hand and understand that the sirloin mesh canvas is created very quickly(grows before our eyes) you will want to tie something larger. And for this, I found such beautiful patterns for soothing loin knitting. With a theme that everyone loves. What could be more soothing than a cat on the window.

True, it’s great to knit such a picture yourself and place it in a frame, placing a bright contrasting fabric of a matte, non-shiny color under the reverse side.

Direct scheme of filet napkin with roses.

Here, especially for flower lovers, I give a DIRECT scheme for a sirloin napkin. Here you do not need to add cells along the edges - just take them in a straight line, alternating empty and filled cells.

And you can also tie a straight napkin with LACE - already with any openwork crochet pattern. Here is an example of such a doily with a lace border in the photo below.

How to EDGE
square filet napkins.
Border schemes.

A knitted sirloin napkin around the edges has a sloppy look. Therefore, it must be bordered - crocheted around the perimeter - that is, on all sides of the rectangle.

Where can I get schemes for such a BINDING BORDER.

It's very simple. Search the Internet for schemes of square napkins - and in them you select rows along the edge of the napkin. That is, as if mentally erasing the stuffing of the napkin - and leaving only the edge rows of the scheme.

Below I found square napkins - I erased the inside from them and I was left with diagrams of only the edge parts of the napkin. These pieces can be used as ready-made patterns for tying your square fillet flaps.

The angle of such a binding maybe with a hole-arch of air loops or filled with a fan of columns.

In the diagram below - in the first row at the corner of the arch of three airs. And in the second row, columns are knitted into this arch.

You can do it like this ... you decide how best to turn the corner

You can make a magnificent border - into a hole from the arches of air loops

You can take a more complex pattern of square corner strapping - from any square napkin pattern.

Here is a square napkin for you - ANY ROW OF IT - can become a pattern for your border. Cut it out - circle it with a felt-tip pen so as not to go astray and work. Or find any other square pattern.

HOW TO ROUND IT CORRECTLY

sirloin knitting
(rules of subtraction and addition of cells in a row).

And now it's time to figure it out how to crochet FIGURED shapes from a sirloin mesh. That is, I will tell you in detail how to add cells in the rows ... and how to subtract them.

After all, to create curly(for example, oval) napkins need to be constantly then add cells in a row - along the edges so that the canvas expands into a circle ... then subtract cells so that the canvas tapers into the top-crown of the circle.

How to add ONE EMPTY CAGE - with right edge knitting.

How to add TWO EMPTY CELLS - with right edge knitting.

How to add an EMPTY CAGE - c left edge knitting.

How to add ONE MORE empty cell next to the empty added.

How to add a FILLED EDGE cell in a new row on the RIGHT.

How to add a FILLED EDGE cell in a new row on the LEFT.

and if in the next row you need to add another full edge cell, then the principle is the same.

HOW TO REDUCE a cell from the edge (when the number of cells in a row decreases)

FIGURED CELLS (in the shape of the letter M).
Sometimes curly cells are found in sirloin diagrams ... they are drawn on the diagram in the form of a figure similar to the letter M ...
They knit like this.

The diagram below, just in the central part, contains these very M-shaped elements of the loin pattern. That is, these are elements that violate the even squares of the grid. To set another background tint.

And here in this pattern with violins- also in the central part there is this pattern in the form of the letter M ... By the way, the diagram below, with violins - this is HALF of the pattern - on the left the pattern is mirrored. That is, it is entirely SQUARE - and it turns out 4 violins meet in the center of the square with their pegs.

And now - when you have seen and understood the whole principle of subtracting and adding cells in a sirloin pattern (both empty and filled) - you can knit oval sirloin napkins ... and round ones ... and in the shape of a heart (yes, even in the shape of a teapot).

And now I'm posting you new FIGURED patterns with loin nets.

Schemes of napkins with a fillet crochet pattern.

SCHEMES of loin napkins with an UNEVEN edge.

I post here schemes with roses. Since roses are the most popular theme of patterns that you want to knit on a napkin or tablecloth.

The uneven edge of the napkins is obtained from the addition and subtraction of cells along the edges of knitting. Exactly as I showed in the pictures a little higher in this article.

Scheme of an even oval napkin.

Such an even-oval napkin can then be tied in a CIRCLE with any openwork crochet. This must be done so that its edges do not look so lonely - and the napkin has a complete look. You can even make a simple strapping - double crochets - so that the edge has a tight border.

The scheme of the fillet set is from an oval napkin and a round one.

Here in this sirloin grid scheme there is an interesting point. If you look you will see that the roses are darker in the diagram. That is, the scheme consists of TWO TYPES of filling cells with columns .... Just filled cells (three double crochets) ... and volume-filled cells(column + two crossed columns + column).

Thus, we get a VOLUME rose that stands out in relief on the canvas of our sirloin napkin.

Fillet crochet patterns

for Valentine's Day.

On Valentine's Day you can do loin patterns in the form of a heart. From can be placed in a frame against a background of bright fabric. Or sew on a pillow. Or crochet the edges of such a sirloin heart with crocheted lace to get napkin on the table. Such knitted valentine napkins can be given to friends. This is a gift that is easy and quick to crochet with your own hands.

NEW YEAR IDEAS loin knitting.

Here is such a sirloin New Year's scheme can be depicted on a pillow. It looks beautiful when knitting is made of white threads, and pillow background bright blue, or festive red.

Can be knitted small crochet Christmas pictures. It is good to pull such a New Year's sirloin net over a wooden frame and hang it on a door or window.

And here is a long sirloin pattern - you can knit sirloin curtains from it and hang them on the window during the Christmas season.

Also for the New Year, you can crochet just such a square napkin with angels. Or this scheme can decorate a pillow.

Can be a gift tie the icon in loin technique. Put a golden background behind and pull it over the plywood and insert it into the frame. And to give for Christmas - a kind and bright gift for Christmas.

And now let's talk about LONG sirloin crochet patterns.

FILLET BORDER - schemes of beautiful patterns.

Long sirloin patterns can be used as an elegant openwork flounce border.

She can decorate CURTAIN… it can be sewn on along the edge of the tablecloth... it can hang on the window as an independent decoration ... it can even tear off the towel.

Here are some more small examples of border patterns.

HERE ARE APPROXIMATE SCHEMES for this use of sirloin knitting.

Here are a couple of small patterns

But the pattern is wider.

And of course the pattern sirloin net with roses - crochet very quickly (because it is not so wide).

And here is the sirloin mesh pattern - in the form of a border with butterflies.

And here is an example corner pattern- it is suitable for a tablecloth - where a border is needed around the entire perimeter, including corners. This sirloin scheme is also good because it knits quickly due to the small number of cells in a row.

FILLET KNIT inside the cloth of the tablecloth.

Or this long pattern can be used as insert into the body of the tablecloth to the holiday table.

As you can see, everything is simple here - we take any long pattern - we measure the size of the table and the size of the future tablecloth. We buy fabric - we calculate WHAT SQUARE of the tablecloth we will leave in the center - and what width of the filet pattern we want ... And we work.

We knit a pattern and constantly apply it to the central square of the tablecloth- so as not to get carried away and not bandage it too much. Here it is important to think over exactly how the pattern will TURN AT THE CORNER = you need to come up with an angular combination of patterns that came from both sides. Can first knit without corners- just long drawings of all 4 sides of the tablecloth - and then think about what pattern to connect them together (draw the knitting of the corner square and tie it).

And by the way it is not necessary to use a pattern with a STRAIGHT SMOOTH EDGE for the inner insertion into the tablecloth ...
You can also fit a curly jagged strip perfectly inside the tablecloth. For example, like in the photo below.

Curtains in the technique of loin mesh.

Repeating border patterns can be used to knit CURTAIN and CURTAIN.
Any napkin pattern can be modified to fit a curtain pattern.

Schemes for curtains with birds you can use different...

That is, it is not necessary look for ready-made schemes for curtains - you can take an element from the napkin scheme as a basis and apply it on curtains.

Here are some ideas loin knitting I have collected today for you in this article.
Now it's up to you. Show what your patience and work are capable of.
Fillet knitting knits very quickly.

You will like SPEED, with which the finished products appear in your hands.

Work with pleasure. Let everything work out.

Olga Klishevskaya, specially for the site